heluhelu mai o ʻO Chapter 775 - 777 o ka puke Hoʻopili Aloha ma hope o ka male male pīhoihoi pūnaewele.
Kakau inoa no nā mea hou loa:
MOKUNA 775
ʻAʻole i ʻōlelo ʻo Phillip Zong, akā huli aʻela ʻo ia e nānā iā ia.
Ua huki mālie ʻo Ida Zhuang i kahi ʻakaʻaka, me ka hoʻohālike e hoʻomaha ana, "Ke manaʻoʻiʻo mai nei ʻoe iaʻu, ua ikaika loa ʻo Yan Yan, ʻaʻohe mea e hana ʻia. I ka wā i māhoe ai ʻo Sheng Yan Chen lāua ʻo Yan Xi, ua hānau ʻo ia me ka ʻole o ka ʻoki ʻana o C. , Palekana ka makuahine a me ke keiki. Me ka nui o nā kauka maikaʻi i kēia manawa, ʻaʻohe mea e hana ʻia."
ʻO Phillip Zong, ka mea āna i hoʻāʻo ai e hōʻoluʻolu, ʻo ia nō ka mea e hōʻoluʻolu ana iā ia iho.
He maʻalahi kāna ʻōlelo. I ka wā i hoʻoweliweli ai ʻo Sheng Yanchen lāua ʻo Yan Xi i kēlā manawa, ua hoʻohaʻahaʻa wale ʻo ia iā lāua.
ʻĪ akula ʻo Phillip Zong me ka leo haʻahaʻa, "Ke kali nei au iā ia ma ʻaneʻi."
Ua kaniʻuhū ʻo Ida Zhuang, me ka ʻike ʻaʻole hiki iā ia ke hoʻoneʻe iā ia, no laila hiki iā ia ke hoʻolohe wale iā ia.
I kēia manawa, ua wehe ʻia ka puka o ke ʻoki ʻana, a ua hele akula kekahi kauka e ʻaʻahu ana i ka lole ʻoki polū. Ma mua o kona hāʻawi ʻana i ka palapala ʻae ʻoki ma kona lima, ua nīnau mua ʻo Phillip Zong, "Pehea ʻo ia?"
Ua ʻōlelo ke kauka i ka wā o ke ʻoki ʻana, "ua nui loa ke kahe ʻana o ke koko o ka mea maʻi, a ke hana nei mākou i nā mea āpau."
Ua hāʻawi ʻo ia i ka palapala ʻae no ke ʻoki ʻana, "He mea weliweli loa kēia ʻoki ʻana, a he mea hiki loa ke hoʻopakele ʻia hoʻokahi wale nō, no laila pono ʻoe e noi i kou ʻohana e kau inoa. Ua hōʻoia ʻia ka mea inikua a i ʻole ke keiki. Ua ʻōlelo ka haukapila he kanaka makua ia, akā pono ʻoe e hoʻomaopopo ʻia."
Ua kau inoa ʻo Phillip Zong i ka palapala ʻae ʻana i ka hana ʻana a ʻōlelo akula, "Pono wau e hōʻoia i ka maikaʻi o kaʻu wahine, a i ʻole, e hoʻokuʻu wau i kou haukapila e nalo aku mai kēia ʻāina aku."
Ma hope o ke kau inoa ʻana, ua waiho ʻo ia i kāna peni i lalo, a puka mai kahi ʻala koko mai loko mai o kona puʻu. Pehea ka maʻalahi o ka hāʻawi ʻana aku i kāna keiki?
He makuakāne ʻo ia, a ke kahe nei kona koko i loko o ke kino o ke keiki. Pehea lā ʻoe e ʻōlelo ai ua hāʻawi pio ʻoe a haʻalele? ʻO ke ʻano ʻeha i ʻike ʻole ʻia e kekahi, ʻaʻole hiki ke ʻike.
ʻAʻohe āna koho.
Inā koho ʻo ia i kekahi o nā mea ʻelua, hiki iā ia ke haʻalele wale i hoʻokahi me ka hoʻokaʻulua ʻole.
Ua makemake mua ʻo Ida Zhuang e hōʻoluʻolu iā Phillip Zong, akā ʻaʻole hiki iā ia ke kāohi i ka uē ʻana. ʻAʻole makemake ʻo ia e ʻike ʻia e nā poʻe ʻē aʻe. Ua peʻe ʻo ia ma kahi kihi a uē malū. Pehea lā e loaʻa ai i kāna kaikamahine kahi hopena pōʻino. E ʻike i kēia ʻike.
Ua manaʻo ʻo Ida Zhuang, inā wale nō e hiki ke hoʻohana ʻia kona ola ponoʻī i mea kūkaʻi, e hoʻolilo ʻo ia i ke koena o kona ola i mea kūkaʻi no kāna kaikamahine e loaʻa ai kahi ʻohana hauʻoli a me ke ola hauʻoli.
I kēia manawa, ʻaʻohe mea i ʻaʻa e hele mai i mua a kamaʻilio me Phillip Zong.
Kū kokoke mai nā mea a pau, e kali ana, e nānā ana i mua, me ka manaʻolana e ola maikaʻi nā mākua a me nā keiki.
Ma kahi o ʻelua hola ma hope mai, ua huli ʻōmaʻomaʻo ke kukui hōʻailona hana, a ma hope o kekahi manawa, ua pouli.
ʻAʻole i liʻuliʻu ka manawa, ua hāmama ka puka o ke keʻena hana a puka mai ʻekolu mau kauka.
Ua ʻākoakoa nā kānaka āpau.
ʻO kekahi o nā kauka e kū ana ma waenakonu, ʻo ia nō hoʻi ke kauka nāna i mālama iā Ana Lin. Ua wehe ʻo ia i kona pale maka. "He mea weliweli loa ke kaʻina hana. Poha ka ʻōpū o ka makuahine e hoʻoulu ai i ke kahe koko nui. Ua loaʻa ka haʻalulu i ka wā o ke kaʻina hana. ʻEkolu hola. I ke kaʻina hana, ua hoʻopakele ʻia ka mea maʻi."
Ke kūlana o Ana Lin Ua hoʻomākaukau mua ka haukapila. I mea e pale ai i ke kahe koko nui i ka wā hānau, ua mālama ʻia nā ʻano koko he nui e kūlike me ia.
ʻO ka nui o kona kahe ʻana o ke koko ua like ia me ka nui o ke kino kanaka i hoʻololi ʻia i ʻelua manawa. ʻO ke ʻano o ke hana holoʻokoʻa, ua like ia me ke koko i loko o kona kino e kahe ana i ka wā e hoʻokomo ʻia ai i loko o ke kino e hōʻoia i ka mālama ʻana o ke kino i kahi koko maʻamau.
"He mea maikaʻi inā maikaʻi nā kānaka, a maikaʻi hoʻi nā kānaka."
wahi a Foster Wen me ka hauʻoli.
Ma hope o nā mea a pau, ʻaʻole i hālāwai ke keiki, ʻaʻohe ona pilina, ʻaʻohe ona manaʻo, akā he mea ola maoli ʻo Ana Lin, a ʻo ia wale nō ke kaikamahine a kona kaikuahine.
Kū pololei ʻo Phillip Zong a nīnau akula me ka leo ʻino, "Āhea e hiki ai i kaʻu wahine ke puka mai."
"Iwakāluakūmāhā hola ma hope mai, ʻoiai ua holomua ka hana, aia nō ia i loko o kahi wā weliweli a pono e mālama ʻia e ka poʻe loea."
ʻLelo ke kauka.
"Hiki iaʻu ke hele e ʻike?"
Nīnau ʻo Phillip Zong.
"ʻAʻole hoʻi."
ʻLelo ke kauka.
"ʻAʻohe mea hiki ke kapa ʻia?"
Ua komo akula ʻo Wen Xiaoji e nīnau.
ʻĪ maila ke kauka, “Ua ʻōlelo wau, aia nō ke kūlana o ka makuahine i ka pōʻino a pono e mālama ʻia e ka poʻe loea. Ua hoʻouna ʻia aku hoʻi ke pēpē i ka ʻoihana neonatology no ka mālama ʻana no ka mea ua paʻa ʻia i loko o ka ʻōpū o ka makuahine no ka manawa lōʻihi loa. Makaʻu wau ʻaʻole hiki iaʻu ke ʻike i kēia manawa.”
Ua ʻūmiʻi koke ka lima o Phillip Zong e kau ana ma kona ʻaoʻao, a ua pohā ke kua o kona lima ikaika i loko o nā aʻa polū. Ua hoʻāʻo ʻo ia e hoʻomanawanui i ka puʻuwai ikaika, "Ke ola nei nō kaʻu keiki?"
ʻĪ maila ke kauka, “Ma hope o kou kau inoa ʻana, ua loaʻa nō i kāu wahine ka ʻike. Hoʻomaopopo pū ʻo ia i kou mau makemake. Ke noi mau nei ʻo ia iā mākou e mālama i ka pēpē. ʻOiai he mea weliweli ke kaʻina hana, akā naʻe, ke hanu mau nei ka pēpē ma hope o ka hānau ʻana o ka pēpē. Ua lilo ke kino holoʻokoʻa o Shi i polū-poni, a ua pau ka ulu ʻana ma hope o ka nānā ʻana. I kēia manawa ua maikaʻi nā kūlana olakino, ma hope o ka mālama ʻana, ʻaʻole pono e lōʻihi ma mua o kona hiki ke hoʻōla.”
"Mahalo."
ʻ stretched akula ʻo ia i kona lima.
Ua lulu lima ke kauka a ʻōlelo maila, “ʻO kā māua kuleana kēia.”
Kū ʻo Ida Zhuang ma kahi mamao loa, no ka makaʻu i ka lohe ʻana i nā lono maikaʻi ʻole, i kēia manawa ua lohe ʻo ia i kahi huaʻōlelo, e uhi ana i kona mau lehelehe, e ʻakaʻaka ana, ʻaʻole i mae nā waimaka ma kona mau maka.
Me nā waimaka i ka ʻakaʻaka.
Me ka ʻike ʻaʻohe pilikia, ua maikaʻi nā mākua a me nā keiki, no laila ua ʻaʻa ʻo ia e hele mai. ʻO ka mea mua, ua hoʻomaikaʻi ʻo ia i ke kauka.
A laila e hoʻokuʻu iā Phillip Zong e hoʻomaʻemaʻe iā ia iho, "ʻO ka poʻe maʻemaʻe wale nō ke ʻike i kā lākou ʻōlelo, a waiho i ke koena iaʻu."
Ua hāʻawi ʻo Phillip Zong i kahi hum māmā.
Ua noi ʻo Ida Zhuang i ka ʻohana o Foster e hoʻomaha ma ka lumi o Ana Lin. ʻĪ maila ʻo Wen Xiaoji, “E hoʻi kākou a hoʻi hou mai i ka lā ʻapōpō.”
ʻAʻohe mea hiki ke ʻike ʻia ma ʻaneʻi i kēia lā.
ʻO kēia ka male ʻana o Wen Xiaoji. I kēia manawa, ua hele aku ko lākou ʻohana no kekahi mau hola, a pono lākou e hoʻi e wehewehe, ʻaʻole i mālama ʻo Ida Zhuang iā lākou.
Ua hoʻi ʻo ia i ka lumi a ʻike akula iā Zong Qifeng e lawe mai ana i ʻelua keiki.
MOKUNA 776
ʻApōpō ka hopena pule. Ma hope o ke kula, ke hoʻopilikia nei nā keiki ʻelua me Zong Qifeng, a pono lākou e hele mai i ka haukapila e ʻike iā Ana Lin.
"E Tūtū."
Holo akula ʻo Zong Yanxi, kūlou ihola ʻo Ida Zhuang a kīkoʻo akula i kona mau lima, me ke kūlana hoʻokipa, a noi akula iā ia e lohi. ʻAʻole ʻo ia i kāohi, a hoʻolei pololei akula i loko o nā lima o Ida Zhuang. Kūlou ihola ke kino o Ida Zhuang i hope a kokoke e hāʻule. I lalo a ʻōlelo akula, “E ke keiki, ʻaʻole ʻoe he hoʻolohe iki.”
Ua kau ʻo Zong Yanxi i kona mau lima ma kona ʻāʻī a ʻōlelo akula, "Ke nalo nei ʻo ia iā ʻoe, ʻaʻole anei hiki iā ʻoe ke ʻapo iā ʻoe?"
Ua huhū loa ʻo Ida Zhuang a ua ʻakaʻaka hoʻi, a pā mālie akula i kona kua, "E hilinaʻi wau iā ʻoe e hānai iā ia i ka wā e hiki mai ana."
"ʻOiaʻiʻo ʻaʻohe pilikia."
Ua pane aku ʻo Zong Yanxi me ka kānalua ʻole. E minoʻaka mau nā mākua me ka ʻoluʻolu loa ke lohe lākou i kēia pane mai nā keiki mai.
"E hele i loko o ka hale."
Ua ʻapo ʻo Ida Zhuang iā Zong Yanxi a kaniʻuhū, "He kaumaha loa ia, aneane ʻaʻole hiki iaʻu ke paʻa."
I kona komo ʻana i loko o ka lumi, ua hele pololei ʻo Zong Yanchen i loko o ka lumi o loko. Me ka ʻike ʻole ʻana iā Ana Lin, ua nīnau ʻo ia, "ʻAuhea koʻu māmā?"
Ua pūʻiwa ʻo Ida Zhuang no kekahi manawa, a ʻōlelo koke akula ʻo ia e nānā ana.
"No ke aha e nānā ai? Ua hānau anei ʻoe i kahi kaikaina a i ʻole he kaikuahine?"
Ua ʻōlelo ʻo Zong Yanxi me ka pīhoihoi.
Kuno ʻo Ida Zhuang.
"ʻAuē, e lilo ana au i kaikuahine noʻu."
Ua ʻapo ʻo ia i kona kaikunāne me ka pīhoihoi, “E ke kaikunāne, e lilo ana ʻoe i kaikunāne.”
ʻĪ mālie akula ʻo Zong Yanchen, “ʻO wau koʻu kaikunāne.”
Zong Yanxi, “…” Nīnau maila ʻo Zong Qifeng, “Ua maikaʻi anei kou haku?”
Nānā akula ʻo Ida Zhuang i nā keiki ʻelua a ʻōlelo wale akula, "He mea kupanaha ia, akā i kēia manawa ua maikaʻi nā mea a pau."
"He keikikāne a he kaikamahine paha ka mea a Māmā e hānau ai?"
Nīnau ʻo Zong Yanxi.
Ua poina iā Zhuangzi ke nīnau.
"ʻAʻole au i ʻike, ʻaʻole i ʻōlelo ke kauka, ua poina iaʻu e nīnau."
Ua pāʻani ʻo Ida Zhuang i kona poʻo, "Pehea lā wau e poina ai?"
Malia paha ua weliweli loa ke kūlana i kēlā manawa. Ma hope iho, ʻoiai ua hōʻoluʻolu nā mea a pau, ua poina iā lākou ke nīnau inā he keikikāne a he kaikamahine paha i ko lākou manaʻo ʻana ua palekana nā keiki a me nā mākua.
"Hiki iā mākou ke hele e ʻike i ke keiki?"
Eia kekahi, e nīnau i ke kauka inā ua hānau ʻo Māmā i kahi kaikaina a i ʻole he kaikaina wahine paha.
Nīnau ʻo Zong Yanchen.
Ua ʻōlelo ʻo Ida Zhuang ʻaʻole hiki iā ia ke ʻike i ke pēpē, akā pono iā ia ke nīnau i ke kauka inā he keikikāne a he kaikamahine paha.
"A laila e hele kākou i ke kauka?"
Ua ʻōlelo ʻo Ida Zhuang.
"ʻAe, e hele ana au e ʻike i ke keiki."
Ua pīhoihoi ʻo Zong Yanxi i ka ʻike ʻana i ke pēpē.
No laila, ua lawe ʻo Zong Qifeng lāua ʻo Ida Zhuang i kā lāua mau keiki ʻelua i ke kauka.
Ua ʻōlelo ke kauka he keikikāne.
“ʻO ke kaikaina ia.”
ʻĪ maila ʻo Zong Yanxi, “A laila hiki iā kākou ke nānā aku?”
ʻĪ maila ke kauka, “ʻAʻole.”
A ʻaʻole maikaʻi ke nānā aku i kēia manawa.
Ua ʻūmiʻi ʻo Zong Yanxi me ka hoka.
Nīnau akula ʻo Zong Yanchen i ke kauka, “Ua maikaʻi anei koʻu māmā?”
I ka ʻike ʻana o ke kauka iā ia i kona wā ʻōpiopio, ua ʻike ʻo ia ua mālama ʻo ia i nā kānaka, a minoʻaka a pane akula, "ʻAʻole pilikia, hiki iā ʻoe ke ʻike iā ia i hoʻokahi lā."
"Mahalo iā ʻoukou āpau."
Ua mahalo ʻo Zong Yanchen i ke kauka.
ʻĪ maila ke kauka, “ʻAʻole, ʻo kā mākou kuleana kēia ma ke ʻano he mau kauka.”
Mahalo nō hoʻi iā ʻoe, no ka mea, ua palekana ke kauka a me kona makuahine a ua hānau palekana ʻia kona kaikunāne.
I kona puka ʻana i waho o ke keʻena o ke kauka, nīnau akula ʻo Zong Yanchen, “ʻAuhea koʻu makuakāne?”
No ke aha ʻo ia i ʻike ʻole ai iā Pāpā i ka wā i hānau ai ʻo Māmā i kahi mea nui?
ʻĪ maila ʻo Ida Zhuang, “He hana kā kou makuakāne. E hoʻi koke mai ana ʻo ia.”
"He aha ka mea nui i ka makuahine ke loaʻa kahi pēpē?"
Pehea lā e hiki ai iā ia ke hele aku?
Ua ʻōlelo ʻo Zong Yanchen.
Ua wehewehe ʻo Ida Zhuang, "ʻAʻole, aia kou makuakāne ma laila i nā manawa a pau, ua haʻalele wale ʻo ia."
Ua kaniʻuhū ʻo Zong Yanchen a ua kaumaha ʻo ia ʻaʻole ʻo ia i ʻike i kona kaikunāne, ʻaʻole hoʻi ʻo ia i ʻike iā Māmā.
I hoʻokahi pule ma hope.
Ua pakele ʻo Ana Lin i ka pōʻino, a ua nalowale mālie ke ʻano palapū ma ke keiki.
Ua hoʻoneʻe ʻia ʻo ia i ka lumi mālama. Ua piha ka lumi waho a me ke alaloa i nā pua. He mau hoaaloha lākou a pau mai Phillip Zong Mall. I kona ʻike ʻana he keiki kāne ʻē aʻe kāna, ua hoʻouna aku ʻo ia i kahi hīnaʻi pua e hoʻomaikaʻi iā ia.
I ka ʻike ʻana ua hānau pono ʻo Ana Lin, ua holo pilikino ʻo Gibson Shao mai ke kūlanakauhale C e kipa aku me kahi makana.
He mea kupanaha ia i kēia lā i hiki mai ai ʻo Keller Shen lāua ʻo Marsha Sang, a hele pū mai ʻo Alan Su lāua ʻo Lena Qin. ʻIke loa, ʻaʻole lākou i hui, akā ua hele mai lākou a pau i ka lā hoʻokahi.
Ua piha ka lumi i nā kānaka a ua ʻike ʻia he olaola loa.
ʻO Ida Zhuang ka mea hana nui loa, e ninini ana i ka wai a holoi ana i nā hua.
I loko, hāʻawi akula ʻo Gibson Shao iā Ana Lin i ka makana āna i hoʻouna aku ai.
Ma hope o ka ho'ōla ʻana o kēia lā, he koko ko Ana Lin ma kona maka a hiki iā ia ke ala aʻe mai kahi moe no ka manawa pōkole.
Nānā akula ʻo ia i ka mea ma ka lima o Gibson Shao a nīnau akula, “He aha kēia?”
ʻĪ maila ʻo Gibson Shao, "E nānā ʻoe."
I ka nānā wale ʻana aku i ka ʻeke pepa āna e paʻa ana, ua kuhi pū ʻo Ana Lin i loko o kona puʻuwai, "Ua ʻōlelo wau ..." "Inā ʻaʻole ʻoe makemake, e hāʻawi aku ʻoe i kāu keiki kāne, i ʻole ʻoe e hoʻokūkū me kou haku i ka wā e hiki mai ana."
wahi a Gibson Shao me ka ʻakaʻaka.
ʻAkaʻaka pū ʻo Ana Lin.
ʻĪ akula ʻo Gibson Shao, "E lawe aku."
ʻAʻole hiki iā Ana Lin ke lawe wale aku, "Eia naʻe, pono wau e mālama i koʻu ʻanakala lua."
"ʻOiaʻiʻo, he ʻōpiopio nō wau, ke kamaʻilio nei au e pili ana i ia mea ke hiki ʻole iaʻu ke hana hou."
Ua ʻike ʻo Gibson Shao ʻaʻohe ona manawa.
Hele mai ʻo Phillip Zong.
Nīnau akula ʻo Gibson Shao, “Ua lawe ʻia anei ka inoa o ke keiki?”
ʻĪ maila ʻo Ana Lin, “ʻAʻole au i lawe ia mea i kēia manawa, a i ʻole, na koʻu ʻanakala e lawe ia mea nou.”
ʻAʻole i ʻae koke ʻo Gibson Shao, akā ua nānā ʻo ia iā Phillip Zong. Ma hope o nā mea a pau, ʻaʻole ʻo Ana Lin wale nō ke keiki, no laila pono ʻo ia e nīnau i ka manaʻo o kona makuakāne.
ʻĪ akula ʻo Phillip Zong, “E ke ʻanakala lua, e lawe, ke hoʻolohe nei ko mākou ʻohana i kā lākou ʻōlelo.”
Ua manaʻo ʻo Gibson Shao ua piha ʻo ia i ka meaʻai ʻīlio.
MOKUNA 777
Akā, ʻo kēia nahu ʻana o ka meaʻai ʻīlio, ʻai ʻo ia me ka makemake.
Ua ʻōlelo ʻo Ana Lin, ʻo ka hauʻoli kāna e makemake ai e ʻike.
I kēia manawa, ua ʻae pū ʻo Phillip Zong. Ua ʻōlelo ʻo ia, "Ua lawe au i ka inoa o ke keiki?"
Ua minoʻaka ʻo Ana Lin a ʻōlelo akula, “Hiki iā ʻoe ke lawe.
Ma hope o kāna ʻōlelo ʻana, hāpai aʻela ʻo ia i kona poʻo e nānā iā Phillip Zong, a hāpai iki aʻela nā kihi o kona mau lehelehe. I kēia manawa, e nānā pū ana ʻo Phillip Zong iā ia. Hohola akula ʻo ia i kona lima a hamo mālie i kona lae a ʻōlelo akula, "E koho i ka inoa ʻo Zhuang."
I kinohi, ua noʻonoʻo ʻo Gibson Shao i kāna mea e makemake ai e kapa aku iā Zong. I kona lohe ʻana i nā ʻōlelo a Phillip Zong, kū aʻela ʻo ia mai kona noho mai a kū pono akula iā ia he maka no he maka.
“ʻO kāu keiki kēia…” “ʻO ke keiki nō hoʻi ia na Yanyan.”
Ua ʻōlelo ʻo Phillip Zong.
Ua ʻālohilohi hou nā maka o Gibson Shao iā ia, a ua manaʻo ʻo ia ua pololei ka hoʻonohonoho ʻana a Wen Xian. He kanaka kēia e pono ke hilinaʻi ʻia.
He akamai ʻo ia, he kuleana, a ʻo ka mea nui aku, ua ʻike ʻo ia pehea e aloha aku ai i nā poʻe ʻē aʻe.
Ua ʻakaʻaka ʻo Gibson Shao a ʻōlelo akula, "ʻAʻohe oʻu moʻomeheu nui, no laila mai hoʻāhewa mai iaʻu."
"Mai hoʻāhewa iā ʻoe."
Ua ʻakaʻaka ʻo Ana Lin a ʻōlelo akula, “Akā, ʻaʻole pono e nui loa ka pilikia, ke makaʻu nei au ʻaʻole makemake kaʻu keiki ia mea.”
ʻĪ akula ʻo Gibson Shao, "Inā ʻaʻole au e kapa iā ia ʻo Sangouzi, mahalo mai iaʻu."
ʻAna Lin, “…” ʻOiaʻiʻo, i ka ʻike ʻana ua hānau ʻo Ana Lin i keiki kāne ʻē aʻe, ua noʻonoʻo ʻo ia i ka inoa. Ua manaʻolana ʻo ia e kapa ʻia ke keiki a Ana Lin ʻo Zhuang. Ma hope o nā mea a pau, ʻaʻole i hoʻololi ʻo Ana Lin i kona inoa hope, no laila ʻaʻole hiki iā ia ke ʻae i kona kaikuaʻana e hoʻoholo. Ma hope.
ʻOiaʻiʻo, inā ʻaʻole i haʻi mua ʻo Ana Lin, ʻaʻole ia e lawe i ka hana mua e ʻōlelo ua makemake ʻo ia e mare i kahi inoa.
Ua hoʻolilo ʻo ia i ke kālā me ka manaʻo pono e ʻimi i kahi kanaka e loaʻa ai.
He manaʻo ko kēia mau ʻōlelo.
I kēia manawa, e pāʻani ana ʻo ia i ka mea pohihihi, e hoʻohenehene ana iā Ana Lin a ʻōlelo aku, "ʻO ke kolu kēia o ke keiki, a i ʻole ʻo Zhuang San kona inoa?"
ʻAna Lin, “…” “ʻAe, ʻae, ʻaʻole au e hoʻohenehene hou iā ʻoe.”
Ua hoʻohaiki ʻo Gibson Shao i kona helehelena a ʻōlelo akula me ke koʻikoʻi, "E kapa aku iā ia ʻo Zhuang Jiawen."
Aia i loko nā inoa ʻohana o Zhuang Ziyi lāua ʻo Wen Xian.
ʻO ia ka mea nāna i hāʻawi i nā inoa hope o Zhuang Ziyi lāua ʻo Wen Xian, a ʻae i nā kānaka e lawe iā lākou.
ʻOiai he mea nui loa ia, ʻaʻohe ona ʻike loea. Inā ʻike ʻo Ana Lin ua uku ʻo ia no ia mea, e ʻōlelo maoli nō ʻo ia ua hoʻolilo hewa ʻia kāu kālā.
ʻOiai ʻaʻole ʻo ia i ʻike iā Ana Lin lāua ʻo Phillip Zong e kamaʻilio ana, ua kānalua iki ʻo Gibson Shao, he aha kā lāua manaʻo a nīnau akula me ka hopohopo, "ʻAʻole anei ʻoe makemake?"
Ua ʻōlelo ʻo Ana Lin makemake ʻo ia ia mea.
ʻO kēia keiki, i kona ʻae ʻana i ka noi a Gibson Shao, ua ʻokoʻa kona manaʻo mai iā Yan Chen Yanxi.
I ka wā e hiki mai ana, e hoʻoilina ʻo ia i ka hoʻoilina i waiho ʻia e Ida Zhuang lāua ʻo Wenxian, no laila me he mea lā ua kūpono loa ka inoa.
E hoʻomanaʻo iā lāua ʻelua.
"Mahalo iā ʻoe e ʻanakala lua."
Wahi a Ana Lin me ka minoʻaka.
"Ua maikaʻi inā makemake ʻoe."
Ua peahi ʻo Gibson Shao i kona lima a ʻakaʻaka.
"A laila, e hele au e ʻike i nā keiki."
Pāpaʻi akula ʻo Gibson Shao i ka lima o Ana Lin, “E hoʻomaha pono.”
ʻAʻole i hala ka mahina o ke keiki, a no ka lōʻihi o ka manawa i paʻa ʻia ai i loko o ka ʻōpū i ka wā hānau keiki, ʻoiai ua mae ka palapū ma kona kino, pono nō ʻo ia e noho i hoʻokahi mahina i loko o ka incubator ma mua o kona puka ʻana i waho. Inā makemake ʻoe e ʻike, hiki iā ʻoe ke nānā wale ma ka puka aniani. E nānā.
I ka lohe ʻana o ka poʻe o loko o ka lumi waho e hele ana lākou e ʻike i ka pēpē, ʻaʻole lākou i ʻike mua iā ia, no laila ua hahai lākou i ka pēpē.
E hakahaka koke ka lumi.
Ua lawe mai ʻo Ida Zhuang i kahi kīʻaha sopa e hoʻopiha i ka qi a me ke koko. I kēia manawa, he hoʻomaikaʻi ia no nā pākeke a me nā keiki i ka palekana.
Ua waiho ʻia ke kino o Ana Lin me nā pilikia, a ma hope mai ʻaʻole hiki iā ia ke hānau i nā ʻeha nui o ka ʻōpū.
"ʻAʻole au makemake e inu i kēia manawa."
I nā lā i hala iho nei, e inu ʻo Ida Zhuang i kēia sopa nona i kēlā me kēia lā, ʻekolu a ʻehā paha manawa i ka lā.
ʻĪ maila ʻo Phillip Zong, “E waiho mua kākou ma ʻaneʻi.”
Ua kau ʻo Ida Zhuang i ke kīʻaha ma luna o ka papaʻaina a ʻōlelo akula, "E ʻike ʻoe ua luhi ʻoe, akā he mea maikaʻi ia no kou kino, e ke ahonui."
ʻ Linlelo ʻo Ana Lin, “Maopopo iaʻu.”
Nīnau akula ʻo Ida Zhuang, “Ke ʻeha mau nei anei?”
Kūnou ʻo Ana Lin. Ma hope o ka hānau ʻana, e hana koke ke kino o ka makuahine i ka waiū, a ʻaʻole hiki i ke keiki ke ʻai i loko o ka incubator, e pehu ai ka lumi ru. a me ka ʻeha o ka hoʻopiha ʻia me ka waiū.
"Inā ʻeha nui, e hoʻohana i ka pamu umauma ..." "ʻAʻole."
ʻ Linlelo ʻo Ana Lin.
ʻAʻole i ʻōlelo aku ke kauka iā ia e hānai i ka waiū. ʻO kekahi, ua nāwaliwali loa kona kino, a ʻo kekahi, aia nā koena i loko o ka lāʻau lapaʻau i ka wā o ke ʻoki ʻana, kahi e hui pū ʻia me ka waiū a ʻaʻole hiki ke hāʻawi ʻia i ka pēpē.
Hiki iaʻu ke hoʻomanawanui i ka ʻeha wale nō, a ma hope o kekahi kekelē, e hoʻi mālie mai ka waiū a nalowale.
Ua kaniʻuhū ʻo Ida Zhuang, "Hiki iā ʻoe ke hoʻomaha no kekahi manawa, a ma hope aku e hele mai lākou e ʻike iā ʻoe ke hoʻi mai lākou ma hope o ka nānā ʻana i ke keiki."
Kunou aku ʻo Ana Lin.
Hele akula ʻo Ida Zhuang i waho a pani i ka puka.
Noho ʻo Phillip Zong ma ka ʻaoʻao o ka moena a lawe i ka sopa e hānai iā ia, "E kali a anu."
Ua hoʻopaʻa ʻia nā wāhine a ʻaʻole hiki ke loaʻa i ke anu. ʻAʻohe ea hoʻoluʻu i loko o ka hale. He wela iki. ʻO ka inu ʻana i kēlā sopa wela e hoʻohou iā ʻoe.
ʻAʻole ʻo Ida Zhuang i ʻae iā ia e ʻauʻau i kēia mau lā, a ua ʻoluʻolu ʻole ʻo ia. ʻAʻole makemake ʻo ia e hou.
"E kali iki."
Ua moe mālie ʻo Ana Lin.
Ua kau ʻo Phillip Zong i ke kīʻaha i lalo a nīnau akula iā ia, "He mea ʻoluʻolu ʻole anei?"
Nānā akula ʻo Ana Lin iā ia, “Pehea kou manaʻo?”
"Pono kēlā e hoʻomanawanui."
Ua hoʻowalewale ʻo Phillip Zong iā ia, "Ma hope o ka inu ʻana i ka sopa, e lawe au i ka wai wela e holoi i kou kino, a e hoʻololi i nā lole maʻemaʻe e ʻoluʻolu ai."
Ua hoʻowalewale ʻia ʻo Ana Lin a ʻaʻole hiki iā ia ke ʻauʻau. Ua noho ʻo ia i luna inā hiki iā ia ke holoi.
Ua hānai ʻo Phillip Zong iā ia, a ua kīkoʻo akula ʻo Ana Lin a lawe mai, "ʻO wau iho nō e inu ana."
Ua lohi loa ka punetune hoʻokahi ma hope o ka punetune hoʻokahi, no laila ua wehe ʻo ia i ke pola e inu.
Ma hope o ka inu ʻana i kahi kīʻaha sopa mehana, me he mea lā ua mahana ke koko i loko o ke kino, a ua kahe ka hou ma kona lae. Hāʻawi akula ʻo ia i ke kīʻaha iā Phillip Zong a huki aʻela i kahi kāwele pepa e holoi i ka hou.
Lawe akula ʻo Phillip Zong i ke kīʻaha, komo hou maila, pani ihola i nā pale, hele akula e holoi i kona mau lima a lawe mai i kahi ipu wai wela, kau ihola i ka ipu ma luna o ka noho, hoʻomohu i ke kāwele a ʻōlelo akula, "E wehe i nā lole ma kou kino."
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